STARTING FROM SCRATCH
You might think that being trapped inside during the first big snow storm of the season without the benefit of any Netflix is a recipe for disaster, or at least being reduced to the month's umpteenth rerun of "Hellboy." Well, thank God for Encore Westerns, which treated us to a prime-time screening of LONE STAR last night. In my book, there are many things to recommend this film: John Sayles, its writer/director, is an all-time favorite of mine, and with the venerable Chris Cooper in the leading role, well, come on. What more do you need? It's a cleverly-structured story of a father-son relationship, mixed with a little murder mystery and a VERY unusual love story. I know a lot of people like to take shots at John Sayles for his occasional heavy-handedness, particularly when it comes to social and political commentary. But when it gets right down to it, in my book, he is a master story-teller and a brilliant writer of dialogue. Not to mention that he always captures brilliant, unflashy performances from his regular troop of actors. (Check out particularly creepy turns from Kris Kristofferson and Frances McDormand.)
2 Comments:
I absolutely love this movie. It's so bizarre you saw it again and chose to write about it, as I was just talking about it yesterday. Was it the philadelphia snow that brought on the same state of mind?
This movie was the beginning of my fascination with Texas. Yes, Texas. (And it has nothing to do with our current president.) Also the beginning of my adoration of Chris Cooper.
Thanks, Em, for pointing out this choice film.
I agree that LONE STAR is one of Sayles' best films. I would also recommend MATEWAN as one of his lesser-known masterpieces, also starring Chris Cooper, and Mary McDonnell, aka President Roslin (for you BSG fans.) It might have particular resonance now, after all of the recent mining disasters in W. VA.
PASSION FISH is another personal favorite.
In the mean time, I am glad folks are feeling the LONE STAR love.
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